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Box 1

 Container

Contains 22 Results:

For Still the Heart scores, 1939

 File — Box: 1, Folder: 11
Scope and Contents From the Collection:

The Ian Morton papers contains personal and professional correspondence, newspaper articles detailing his works at Macalester with a focus on electronic compositions, various musical scores (many adaptations of Robert Nathan's works), as well as personal affects and ephemera.

Dates: 1939

Serenade for Three Instruments score, 1949

 File — Box: 1, Folder: 12
Scope and Contents From the Collection:

The Ian Morton papers contains personal and professional correspondence, newspaper articles detailing his works at Macalester with a focus on electronic compositions, various musical scores (many adaptations of Robert Nathan's works), as well as personal affects and ephemera.

Dates: 1949

A Cycle of Three Christian Songs score, 1950

 File — Box: 1, Folder: 13
Scope and Contents From the Collection:

The Ian Morton papers contains personal and professional correspondence, newspaper articles detailing his works at Macalester with a focus on electronic compositions, various musical scores (many adaptations of Robert Nathan's works), as well as personal affects and ephemera.

Dates: 1950

The Spirit of the Lord is Upon Me score, 1958

 File — Box: 1, Folder: 14
Scope and Contents From the Collection:

The Ian Morton papers contains personal and professional correspondence, newspaper articles detailing his works at Macalester with a focus on electronic compositions, various musical scores (many adaptations of Robert Nathan's works), as well as personal affects and ephemera.

Dates: 1958

St. Theresa's Book Mark scores, undated

 File — Box: 1, Folder: 15
Scope and Contents From the Collection:

The Ian Morton papers contains personal and professional correspondence, newspaper articles detailing his works at Macalester with a focus on electronic compositions, various musical scores (many adaptations of Robert Nathan's works), as well as personal affects and ephemera.

Dates: undated

Roads score (unverified title), undated

 File — Box: 1, Folder: 16
Scope and Contents From the Collection:

The Ian Morton papers contains personal and professional correspondence, newspaper articles detailing his works at Macalester with a focus on electronic compositions, various musical scores (many adaptations of Robert Nathan's works), as well as personal affects and ephemera.

Dates: undated

Partial scores, undated

 File — Box: 1, Folder: 17
Scope and Contents From the Collection:

The Ian Morton papers contains personal and professional correspondence, newspaper articles detailing his works at Macalester with a focus on electronic compositions, various musical scores (many adaptations of Robert Nathan's works), as well as personal affects and ephemera.

Dates: undated

Photographs of Ian and Jean Morton, circa 1960

 File — Box: 1, Folder: 18
Scope and Contents From the Collection:

The Ian Morton papers contains personal and professional correspondence, newspaper articles detailing his works at Macalester with a focus on electronic compositions, various musical scores (many adaptations of Robert Nathan's works), as well as personal affects and ephemera.

Dates: circa 1960

...A Concert of Electronic Music program, 1966

 File — Box: 1, Folder: 19
Scope and Contents From the Collection:

The Ian Morton papers contains personal and professional correspondence, newspaper articles detailing his works at Macalester with a focus on electronic compositions, various musical scores (many adaptations of Robert Nathan's works), as well as personal affects and ephemera.

Dates: 1966

Vladimir Ussachevsky: Electronic and Acoustic Works CD, Track 8, "Three Scenes from the The Creation, Prologue: Emma Elish", Macalester College Chamber Chorus, Ian Morton conductor

 Item — Box: 1
Scope and Contents From the Collection:

The Ian Morton papers contains personal and professional correspondence, newspaper articles detailing his works at Macalester with a focus on electronic compositions, various musical scores (many adaptations of Robert Nathan's works), as well as personal affects and ephemera.

Dates: 1939-1984